No Dreams, No Gold might be a performance about pauses, powernaps and ketteldrums, and about performing your own material, about digressions, wet dreams and electroacoustic music. Or about absence, how and when to drink coffee, about the ordinary and about the extraordinary. And as with most works by Ingrid Berger Myhre and Lasse Passage, it will leave you in a good mood.

Ingrid and Lasse have different experiences and perspectives but share the space of negotiation that arises when meeting in the periphery of their own expertise. The performance will definitely be about them, but they have freed themselves from the biographical. As a consequence, No Dreams, No Gold becomes a performance that takes refreshing liberties as it slips between a broad range of genres: from erotic hörspiels, to hybris lectures and relentless one-man-bands.

So it will also be about pauses, and about structure as well. Are not pauses and structures simply two sides of the same coin — something to hold onto, and something to lean into – while playing?